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<DIV><SPAN class=570415017-23032005><FONT face=Arial color=#0000ff =
size=2>Good
tip Roger, thanks for sharing!</FONT></SPAN></DIV>
<DIV><SPAN class=570415017-23032005><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=570415017-23032005><FONT face=Arial color=#0000ff =
size=2>Mark
Cramer,</FONT></SPAN></DIV>
<DIV><SPAN class=570415017-23032005><FONT face=Arial color=#0000ff =
size=2>Brandon University</FONT></SPAN></DIV>
<BLOCKQUOTE>
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Original Message-----<BR><B>From:</B> =
caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org]<B>On Behalf Of </B>Roger =
Jolly<BR><B>Sent:</B>
Monday, March 21, 2005 9:05 PM<BR><B>To:</B> College and University
Technicians<BR><B>Subject:</B> Re: [CAUT] D
complimented<BR><BR></FONT></DIV><FONT size=3>At 02:57 PM 3/21/2005, =
you
wrote:<BR>
<BLOCKQUOTE class=cite cite="" type="cite">Roger, <BR><BR>Some =
great
suggestions. One question though. Why do you turn the dag screws in =
after
<BR>voicing. It seems like that would change the strike point where =
you'd
been doing the<BR>voicing. What am I missing here? <BR><BR>Avery
</BLOCKQUOTE><BR>Hi
=
Avery,<BR> &nb=
sp;
The cheek blocks determine the strike point. Tuning in a half turn =
after
completion will not add extra drag to the key frame. I adjust =
the screws
then push the action in very firmly, then seat the cheek blocks to see =
if the
frame moves. Readjust screws as required.<BR> Una corda voicing, =
that
action is in and out of the cavity dozens of times. I save =
dozens of
cheek block installations.<BR><BR>Having those screws also helps in =
all
regulation adjustments. Hammer fitting, string lifting
etc.<BR><BR>Regards Roger</FONT> </BLOCKQUOTE></BODY></HTML>