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<TITLE>Re: [CAUT] HT suggestions</TITLE>
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<FONT FACE="Verdana">On 12/8/05 10:51 AM, "Avery Todd" <atodd@=
uh.edu> wrote:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE="Verdana">I really don't want to use Broadwoo=
d Best for this. It's just way <BR>
too mild for what I'd like to try & do. <BR>
</FONT></BLOCKQUOTE><FONT FACE="Verdana"><BR>
Hi Avery,<BR>
Just to clarify, there are two “Broadwood Bes=
t” tunings, derived from two separate measurements (of two separate tu=
nings) made by Alexander Ellis. Both appear on the same table in Jorgenson&#=
8217;s book, along with the “Broadwood Usual” tunings. The Broad=
wood Best (Ellis tuner #5) tuning is quite mild, almost not noticeably diffe=
rent from ET. Broadwood Best (Ellis tuner #4) is fairly pungent, with lots o=
f key contrast. Offsets are <BR>
A 0.0<BR>
A# +4.0<BR>
B –1.0<BR>
C +5.0<BR>
C# +1.0<BR>
D +3.0<BR>
D# +3.0<BR>
E –2.0<BR>
F +5.0<BR>
F# 0.0<BR>
G +5.0<BR>
G# +2.0<BR>
In contrast, Ellis tuner #5 doesn’t stray beyond 2.0 cents. Valotti r=
anges from –3.9 to +7.8. The other tunings I mentioned are in the gene=
ral range of BB #4, with Preston being the mildest (milder than BB #4). All =
are intermediate between Valotti or Werckmeister and ET – noticeable i=
f you’re listening, but more subtle. The patterns of all are quite sim=
ilar, as one would expect. Ellis tuner #4 could easily have been tuning Pete=
r Prelleur, with differences just being normal operator error.<BR>
<BR>
Regards,<BR>
Fred Sturm<BR>
University of New Mexico <BR>
<BR>
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