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<DIV>In a message dated 10/11/2005 1:21:07 PM Central Standard Time,
piano57@insightbb.com writes:</DIV>
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<DIV><FONT face=Arial size=2>I suppose what it really comes down to is=
how
much difference in power there would be between 1 7/8" blow and 1 3/4"?&nb=
sp;
Significant? This is a really big hall (a bit less than 3500 seats),=
so
power is an issue. </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Right now (with Crescendo punchings) dip =
is at
.401" (my .391 block with a .010" punching added), blow around 1 3/4" with=
.030" aftertouch. It feels a lot better <to me> than when the =
blow
was at 1 7/8", though I didn't have any complaints when the dip was
deeper. I did go back and read a bunch of stuff in the archives abou=
t
dip and folks reported that they didn't have complaints about deep dip, bu=
t I
don't recall anyone getting real specific about how deep they were
actually willing to go.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Thanks for sharing your experience,</FONT=
></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Barbara Richmond, RPT
</FONT></DIV></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV>Blow should be closer to 1 7/8" Dip should be in the .400 range, as has=
been mentioned, as long as you have after touch. </DIV>
<DIV> </DIV>
<DIV>One thing I try for, and have had no complaints, is a real tight let of=
f. I
try to get as close to the string as possible, less than 1/16", which t=
hen
also allows you to reduce drop slightly, which give you a little more
breathing room for the aftertouch. </DIV>
<DIV> </DIV>
<DIV>Wim </DIV></FONT></BODY></HTML>