> What I'm saying is, I've gained considerable humility over the years. I don't > change a scale unless I hear a problem, am sure that the problem is not > disguisable by voicing, am sure that I know that I won't be giving up one > thing to get another, am sure I can predict the outcome, and am sure that the > customer won't consider this an inappropriate change in the authenticity of > the design or of a historical instrument. > > About hammers: the old hammers were light, soft, and juiced with shellac. > These were capable of a wonderful sound, and the easiest way to get a similar > sound is to use a similar hammer and voicing style. You might also talk to > Dale Erwin about Isaac hammers, which, if you are comfortable with light > juicing, have a very resilient core to maintain sustain. Hammers with a > stiffer core tend to sound dead on this instrument. > > Good luck, > Bob Davis Well put, Bob. --- vince mrykalo rpt ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Today's problems come from yesterday's solutions ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
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