Jim Bryant wrote:
> 1. Have you Called Mapes or Schaff? It is possible that they 'might' have
> the scale for at least the bass strings.
Haven't yet. I'm assuming (perhaps wrongly) that the bass scaling was
not modified.
> 2. Is the Knabe a 85 note or 88 note instrument?
88.
> possibly there were originally wound strings past the break.
Thought of that. The arrangement of the hitch pins seems to rule out
this possibility.
Vince Mrykalo wrote:
> Have you looked in John Travis' book "A Guide To Restringing" for
> your Knabe scale?
Yes, but I didn't really find anything similar. BTW, thanks for the
tip about Dave Roberts' book, I'm going to see about ordering a copy.
Mark Dierauf wrote:
> If the bridge or agraffe line curves back toward the strike-point, then the
> tensions will fall and the inharmonicities will rise - and using wound strings
> is the only way to manipulate both these properties independently to best
> blend in with the strings above and below this section.
The foreshortening is not really that bad...it *is* a 7-1/2 foot piano,
after all.
> >> since using a set tension of 160-180 lbs. gives undesirable results.
>
> I'm not sure what you mean by 'undesirable results', but if you mean tonal
> quality, tunability, and pitch stability, then you need to be looking at more
^^^^^^^^^^^^^^^^^^^^^^^^^^
> than just the tension.
^^^^^^^^^^^^^^^^^^^^^
Exactly. I want to know what to look at, i.e. how to calculate the best
wire size here.
You are obviously a proponent of rescaling this area with wound strings.
And you make a good point. However, I am more interested in coming up
with a reasonably good approximation of what was there originally (and
I firmly believe they were not wound strings).
There are prime examples of pianos in this size range that use 68 plain
wire unisons (Steinway B & D, to name two), and I can't believe they do
it that way just because they don't know any better. :-)
To all--this is helpful and interesting, and I thank you for your input.
--
Tom Rush
tarush@chatt.mindspring.com
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