Once the San Francisco Ballet ordered a Fender Rhodes electric piano because it was needed in a combo for a jazz ballet set. They wanted it tuned to A442. The rental agency manager asked if it could be tuned to 442. I told him to lie about it that they couldn't tell unless they were using meters. I know that sounds low handed, (and he knew I was pulling his leg) but I smelled a rat, and didn't want to jump in right away and have to re-do things. Besides I always was and still am bugged by the notion of A442. Of course he protested and said "We can't do that" and I said I didn't know how long that it would take, but didn't care as long as I got paid by time. That another co. might be able to do it cheaper, etc. etc. Finally it it hit me, "Did they order a B-3?" "Yes" "Then tell them the Rhodes has to be tuned to the B-3 which is the pitch jazz musicians tune to, and see what they say" They got the Rhodes and the B-3 at A440. The C-3 had to be tuned to 442, but that's another story. Richard Moody ps If you have access to micro film archives of the San Francisco Chronicle there are some articles about the piano being tuned to 445 for the Vienna Philharmonic I think in the early 80's. pps Every one knows a B-3 is the widely acclaimed model of the Hammond organ?
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