Richard Moody <remoody@easnetsd.com> rote: <<With inadequate f b and thesoundboard entering a dry period, a reasonable explanation is thatthe strings can 'ride' up from the seating and cause beats, and thustapping down eliminates them. >> That may well be a genuine cause for strings riding up on the pins. Two other causes are Jerry Lee Lewis and the stringer who hasn't gotten to the initlal seating of the strings. But I've thought for some time that the business of tapping down was over-rated. So according to Michael Wathen did Harold Conklin, as well as Ron Coners of Steinway C&A. Most false beats I've ever cured have come from a lateral tap to a string which, while still firmly on the bridge instead of up a pin, had simply rhumba'ed its way out if the corner where the pin meets wood. But then, I did spend one fascinating morning with RPT John Hartman at his shop with a Hamburg O he'd completed, massaging and prying the string every which way. Lo and Behold, if the first ten vectors applied to a string didn't work, the eleventh did. (Musta been the chicken feathers and the bat's blodd....) Bill Ballard RPT NH Chapter "No one builds the *perfect* piano, you can only remove the obstacles to that perfection during the building." ...........LaRoy Edwards
This PTG archive page provided courtesy of Moy Piano Service, LLC