Dearest List: 1.)I have often wondered (and have heard many opinions) on why the unisons at the tenor/treble break (on both sides of the plate strut) often have more buzzes and other string voicing -type problems than other strings. I can never seem to get nice clear unisons perfect on those notes in particular. WHY??? 2.)Particularly on Baldwins from the 70's I find lots of string voicing problems i.e., buzzes, twangs, metallic sounding distortion, etc. These pianos have the accu-just hitch pins. Often times I have tapped strings down on bridges (Oh no! Don't start that thread again!!), renotched bridges, changed the downbearing, V'd the bar and smoothed it with a file, sandpaper, etc., pulled strings around the hitch pin to get new termination points at the bridge, tightened loose bridge pins, voiced hammers, muted the capo/non-speaking area....... All depending upon the sound and circumstances. I'm successful only PART of the time. On these Baldwins in particular, I am seldom successful. I have a customer who sent an R back to the factory, paid the freight, for restringing and "repair" and got it back in the same condition. You could still see the old string indentation marks on the v-bar from the first stringing. The piano is practically useless now, and she's a teacher!!!! I have tried everything on this instrument and now I'm embarrassed when I show up to tune it, it sounds bad after all my efforts - even tuned!! There is particularly a metallic buzz from the tenor break - up. Sounds like a tiny piece of metal is touching the strings!! What am I not seeing? What pattern have you seen with these?? Maybe I just need to perfect my above listed techniques. What should I try first and when should I try it?? I KNOW someone out there can help!!!!!!!!!! (please) Thanks in advance. Lance Lafargue, RPT New Orleans Chapter Covington, LA. lafargue@iamerica.net
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