Authentic Steinway sound board dilemma -Reply -Reply

Steve Pearson SPearson@yamaha.com
Fri, 8 Aug 1997 09:43:14 -0700


not at all.  I was referring from the perspective of a guy who hung
around with violin makers, and where "varnish" might well be a reactive
finish with little or no oil in it at all.  Typically, an " alligator"  finish was
left on, and a french polish, in this case, linseed oil, followed by alcohol
until it began to squeak and then oil, & so on adding a bit of clear
"varnish" if  needed to protect naked wood.  By definition, I suppose it
would be more accurate to refer to spirit varnish as shellac, even
though the dissolved gums may not include shellac flakes?  Anyway, I
did not want to sound like some kind of varnish expert, which I
obviously am not, but wished to point out that some of what might loosly
be called  "varnish" , does indeed dissolve completely with alcohol, so
would certainly react as though it was shellac.  The above mentioned
method for french polishing, while a bit spooky on an old, valuable violin,
works well on some older soundboards which have a reactive finish,
and is a reasonable alternative to refinishing when possible.  It doesn't
take away from the nice coloration either, except to make the old
oxydized finish clear again.  Just some thoughts.  
Steve


This PTG archive page provided courtesy of Moy Piano Service, LLC