Hi Glen: The normal idea in having the strings progress in wire size as you go down the scale has to do with keeping the tension more or less even. Using a smaller size wire for the lowest two could have been to help keep the inharmonicity better in line, however, in 1919, they couldn't even spell inharmonicity; the word was not invented yet. So, that is probably not the reason. a smaller sized wire would give a weaker but a little brighter sound. That may have been the reason. Only one other reason occurs to me and that is that occasionally in plain strings one may encounter a poor longitudinal mode frequency which sticks out like a sore thumb. Changing diameter can sometimes eliminate this problem. There is a well known 6' grand which has this feature in the tenor section. They would do well to change diameter to avoid this problem. A longitudinal mode problem is where a partial of the end to end mode of vibration is nearly coincident with one of the higher transverse mode partials causing a high peak (usually with a beat in it) to be very prominent. Glen, you have the rare opportunity to try it both ways to see if indeed you can hear a difference since it only involves two notes. Jim Coleman, Sr.
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