Delwin D Fandrich wrote: > > Daleboy@aol.com wrote: > > > > dear list, > > Who here can say with positive proof that thinning the sides of > > the shanks is the only acceptable mothod of effecting tone in the upper > > octaves? Might it not be possible that some additional support for left or > > right flex of the hammer in that area might be lost by thinning the sides > > only and thereby losing square hammer to strings contact on harder blows?? > > Isn't side taper a recent trend? > > Thanks much! > > > > Regards, > > Dale > > The strength of a beam varies with the square of its height. The > hammershank is a beam. > > Removing material from the sides of a round hammershank (within > reasonable limits) has little effect on its ability to transfer energy > from the jack to the hammer. Taking material off of the top and bottom > will have quite a large effect. There will be quite a lot more bending > during a hard blow. > > The best hammershank shape would be one that is rectangular--not round > or oval--right out to the end where it would have to be made round to > fit the bored hole in the hammershank. The cross-section of this > rectangular hammershank, i.e., its width, could be varied as required to > meet the stiffness requirements of transferring the necessary energy to > the hammer mass of each note. > > --ddf (continued...) In a separate post Doug Richards reminded me that beam stiffness is a function of the cube of the height. He is, of course correct. The stiffness of a beam is, indeed, a function of the cube of its height. Its steady state load capacity is a function of the square of its height. Since what I had in mind was the stiffness of the hammershank, it should have been "the cube of its height." Sorry for the confusion. --ddf
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