HI Jim >>My Steinway L has a resonant freq. at B1 > with the strings on and up to pitch<< Yes! If that is what Del means by "If the fundamental resonant frequency of the string loaded soundboard assembly" I would like to know if this can be determined in the manner of "thumping the unstrung sb with fists" you describe, and I have seen others do. With the dampers up or down? I have "always" rapped the SB with my knuckles, as in knocking on a door. They all sound the same unless in the same room and compared to each other. I guess I got into this habit when I read how an early instrument maker tapped the planks of sound board material and chose accordingly. I don't know what this really does other than make a little more sense than kicking the tires. ; ) BTW, Your L sounds better with one string than most pianos do with three strings. I don't believe I heard it un-muted. >>hit the > soundboard with a tympani mallet or even your fist. You will hear a resonant > frequency << . >>I would go > around at night and give a fist test to all the pianos in 1st belly station.<< I guess us soundboard "thumpers" should start a "club". Richard The Rapper ---------- > From: Jim Coleman, Sr. <pianotoo@imap2.asu.edu> > To: Richard Moody <remoody@easnet.net> > Cc: pianotech@ptg.org > Subject: Re: Inharmonicity - so what? > Date: Thursday, August 20, 1998 12:45 PM > > Hi Richard: > > The next time you rebuild a Grand, while the strings are off, hit the > soundboard with a tympani mallet or even your fist. You will hear a resonant > frequency around A1, B1 or C2. A large grand may have a resonant freq. > as low as F#1 or maybe even lower. My Steinway L has a resonant freq. at B1 > with the strings on and up to pitch. When I worked at Baldwin, I would go > around at night and give a fist test to all the pianos in 1st belly station. > That's where the soundboards have just been glued in. The Concert grands > had lower resonant freqs. than the small M's did. After stringing, the > freq. is a little higher due to the loading and added stiffness. > > Jim Coleman, Sr. > > On Thu, 20 Aug 1998, Richard Moody wrote: > > > > > ---------- > > > From: Delwin D Fandrich <pianobuilders@olynet.com> > > > To: pianotech@ptg.org > > > Subject: Re: Inharmonicity - so what? > > > Date: Wednesday, August 19, 1998 1:54 AM > > > > > > >If the fundamental resonant frequency of the string loaded >soundboard > > assembly > > > > How is this freq determined? > > Ric > > > >
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