And what do they play when the electricity disappears? Dan Hallett, Jr. Richard Moody wrote: > > ---------- > > From: Delwin D Fandrich <pianobuilders@olynet.com> > > To: pianotech@ptg.org > > Subject: Re: Has it begun again? > > Date: Thursday, August 27, 1998 9:44 AM > > > > > > > > Richard Moody wrote: > > > > > > Part of the presentation was an address by the > > > > genius behind the instrument, Mr Kurzweil himself. > > > > > > I would have "loved" to point out a few faulty unisons to him. > > > Especially if it was the "sampled sound" model. > > > > I wasn't able to speak to Mr Kurzweil personally, however I did speak to > several > > of his many assistants. They explained that the piano couldn't possibly > have > > sounded out of tune since it had been tuned just a week or two before it > was > > sampled. When I mentioned the word "voicing" I was speaking another > language > > and was well on my way to becoming a rabble-rouser. > > > > -- Del > > VOICING... ah... I thought that was a problem in the pressure sensors, and > the problems of realisticaly reproducing touch. Like the Ampico and > Duo-Art "problems" > "tuned two weeks before recording samples"??? What idiots!! > How is that for "rabble-rouser"? Good word "rabble" > > I suppose they are really gonna want to consult us now. ; ) > > All I can say, is whoever does will most likely come up with a digital > sound that will appeal to a much wider range of performers, players, and > students. Don't worry about such devices doing away with pianos. It will > be the spinets and consoles and crappy grands done away with, what we > shouldn't be spending time on to begin with. > And if they ever want a "realistic" action, who they gonna ask? > > Richard Scathing
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