At 11:35 AM 10/24/98 EDT, you wrote: >I agree pretty much with JIMRPT. My experience with Schimmels is fairly >limited and they all seemed way to bright or brittle sounding to me, but the >design seemed pretty good, so, taking it on a piano by piano basis seems, as >always, the best idea. >BTW, I tuned a Schimmel medium sized grand for a large church that was happy >with it's sound, but I had a terrible time setting the strings in the mid- >treble, especially just above the scale break. Is this common with Schimmels >or was it just this piano. (Or maybe I just had a presuppositional bias >against this particular piano.) >John S. > List -- In these discussions, I behold only the names Schimmel, Steinway, and Baldwin. Why no mention of Bosendorfer, German Steinway, Kawai EX, Grotrian, Mason & Hamlin, Fazioli, etc.? Not that I've had nearly the exposure to them that I'd like to have had, but from what I _have_ heard, they should be on the list. Susan Susan Kline P.O. Box 1651 Philomath, OR 97370 skline@proaxis.com
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