Ron Nossaman wrote: > >I am putting these questions on in an attempt to help get the list back to > >the more interesting things. > > > >Jim Coleman, Sr. > > Great! I'll play too. I tuned an Acrosonic and a Hamilton studio yesterday > and took note of where the little 'hash' marks, cast into the plate just > below a row of tuning pins through tenor and treble, fell in the scale. The > Acrosonic had them at the C's and F#'s and the Hamilton had them at F#3, > A#4, D4, F#4, A#5, C6, G#6, and E7. Chip tuning guide markers, I presume? > What other patterns were used on different pianos, and why? > > Ron At the time Baldwin started the "hash" marks I understood that they were for the benefit of blind tuners, for general location on the scale. John Freeman
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