Hello all!
In the recent issue of the PTG Magazine I believe it was Steve Brady
who talked about the knight in shining armor who rides in to replace a
former piano tuner ( sorry about the partial metaphor)..
Another article discussed doing the best one can for the client at
hand - considering ability to pay, required quality of instrument
function, etc.
I find myself in a bit of a quandary. Perhaps members of this list
could give their thoughts to the following.
As the "new guy" in town, I take on almost anything that comes my
way. Consequently, I am not doing work on quality concert grands, etc.
I am using my talents to garner the best from the client's piano. To
me, that is my duty - I feel that what they have is the best they have
got, and should get my best, too. That's me.
Recently, a number of new clients have given me horror stories
regarding the last person who worked on their piano. Most often, it is
a local person who has a high profile. The things people recall
include: excessive prices, the belittling of their piano, and the
cutting down of other piano teachers in the area because of their tuning
frequency or piano quality.
I do not wish to make any major enemies in the market as I believe
there is plenty of various kinds of tuning to satisfy both of us.
However, I am very uncomfortable in this discussion with the client, and
I try my best to emphasize the other tuner's qualifications.
As a teacher for over 25 years, I am very familiar with and
supportive of our code of ethics. As piano tuners, where do you stand,
and where do you draw a line. I would be very interested in the
discussion.
Tom Dickson,
Canada
PS - Despite the camaraderie that is constantly mentioned in the
Journal, I have yet to hear from this RPT - although I have personally
spoken to him.
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