Hello all! In the recent issue of the PTG Magazine I believe it was Steve Brady who talked about the knight in shining armor who rides in to replace a former piano tuner ( sorry about the partial metaphor).. Another article discussed doing the best one can for the client at hand - considering ability to pay, required quality of instrument function, etc. I find myself in a bit of a quandary. Perhaps members of this list could give their thoughts to the following. As the "new guy" in town, I take on almost anything that comes my way. Consequently, I am not doing work on quality concert grands, etc. I am using my talents to garner the best from the client's piano. To me, that is my duty - I feel that what they have is the best they have got, and should get my best, too. That's me. Recently, a number of new clients have given me horror stories regarding the last person who worked on their piano. Most often, it is a local person who has a high profile. The things people recall include: excessive prices, the belittling of their piano, and the cutting down of other piano teachers in the area because of their tuning frequency or piano quality. I do not wish to make any major enemies in the market as I believe there is plenty of various kinds of tuning to satisfy both of us. However, I am very uncomfortable in this discussion with the client, and I try my best to emphasize the other tuner's qualifications. As a teacher for over 25 years, I am very familiar with and supportive of our code of ethics. As piano tuners, where do you stand, and where do you draw a line. I would be very interested in the discussion. Tom Dickson, Canada PS - Despite the camaraderie that is constantly mentioned in the Journal, I have yet to hear from this RPT - although I have personally spoken to him.
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