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Hi John,
I've not worked on a Justin Browne piano, but from the sound of the =
responses, it's a Birdcage!
At the risk of being flamed for my opinion, I wouldn't be afraid of the =
piano, but I might want to check out the customer pretty well, and =
determine if they know what they have and what they can expect. =20
We had an old piano, I can't remember the name on it, from England I =
believe, somewhere around 100years old in our shop for some work. It =
was a birdcage action, and straight strung, with a nut (as opposed to a =
capo bar or agraffes). We restrung it with oversize pins, put on new =
dampers, and did some action work, (regulating and minor repairs) at the =
customer's request. Turns out it was a wedding gift the couple had =
bought for each other many years before, so there was sentimental =
attachment.
But what I was getting at, a lot of what you find sometimes in some of =
these old pianos isn't quite what you think of as a 'modern' piano. If =
you're expecting a modern Steinway grand, you'll be very disappointed. =
A lot of these old pianos can have a very 'guitar' like sound, but are =
not necessarily bad sounding, just different. Much hinges around just =
what you and they are expecting.
Incidentally, the piano we worked on, to which I've referenced, was in =
pretty good shape overall. The bridges were good, the soundboard was =
good, the nut was good, the cabinet was excellent. It turned out very =
nice, and although it didn't play or sound like a modern piano, it was =
very pleasant both to play and to listen to, again depending upon your =
expectation.
The tuning and the damper system on a birdcage can be quite different =
that what you're used to. Here's something for you to try. On the =
piano we had, it may be similar, it may not be, we could take the whole =
damper 'assembly' off of the action with 2 screws I think. (Relax, it =
came out in one big assembly, not a bunch of individual dampers.) For =
us, the easiest thing was to remove the damper assembly, and put in the =
mute strips like you usually would, and tune away. It's a little odd, =
but it's not hard.
I hope you have good fortune with this situation. I'd be inclined to =
approach the piano with 'a clean slate'. Don't bring expectations or =
disappointments with you from other pianos you've worked on. Let it be =
a new experience all it's own. It just might turn out good for everyone =
involved.
Good luck, and best wishes,
Brian Trout
Quarryville, Pa.
-----Original Message-----
From: John M. Formsma <jformsma@dixie-net.com>
To: PianoTech <pianotech@ptg.org>
Date: Saturday, April 10, 1999 6:16 PM
Subject: Justin Browne piano
=20
=20
Greetings.
=20
Today I had someone drive to my house from about 50 miles away to =
see if I would work on a piano they have. They don't have a phone. ???
=20
Anyway, the piano is a Justin Browne, made in London according to =
the label. The Pierce Piano Atlas has but one listing--->1870-1910.=20
=20
Does anyone here have any experience with them? From what they said, =
it is a rosewood piano, and there are 13 notes not working. (They were =
working on it themselves, and I wondered if I would have to eat my words =
to the list written hours ago that I worked on just about any piano. :-) =
) I may regret it, but I suppose I'll have a look at it when I am going =
to be in the area next.
=20
If you have any knowledge, it would be helpful to know something =
about the piano. This is the first time that I've ever heard the name.
=20
Thanks in advance.
=20
John Formsma
=20
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