>. That's the beauty of using logs, because it allows you to use
> numbers like 1 or 5 semitones to express ratios between factors,
> instead of nasty numbers like 2^(5/12). Semitones are intuitively
> graspable and "calculations" can be done with monochords without
> resorting to any numbers at all. It also better expresses the way the
> acoustics are perceived.
>Stephen
Ah, but there is beauty in "nasty numbers" to me at least. Looking at
2^(5/12) I see an interval of 5 1/12th semitones And how can it be nasty
if logs are beautiful? The decimal equilivant of 5/12 is actually a log,
.41667 (of the 2).
Multiply that by 1200 and you get 500 cents or an ET Fourth. Or 2^.41667 is
1.3348 or the division of the monochord (or fretboard) to give a Fourth (the
interval) of an octave equally divided into twelve parts. The"natural"
Fourth would be 4/3 or 1.33333.
You said calculations could be done with monochrods without resorting to
any numbers at all. How is this done? ---ric
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