Hi Avery,
You asked. He! He! He!
I was asked to give a lecture to a group of registered music teachers,
on how to communicate with their piano tech's. Also some tuition on how
to tell the difference from tuning, vs voicing, vs regulation.
As a spoof, I tuned one concert grand in ET and the other in HT.
(Volatti/Young)
After speaking for 1 1/4hr. I sprung a suprise ear training test on
them. Jolly's ear training 101.
Had a friend play the opening movement of the Pathetique and last
movement of Waldstein.
Question: Which piano is in tune? They were forwarned that I had taken
a head count and that every one must give an answer.
Suprise. 5 for ET. 31 for HT.
Since I was only accepting both are in tune, or both are out of tune, (I
tuned them the previous day)
as being the correct answer. I was accused of submitting trick
questions. Some one even commented that I was guilty of dirty pool.
Every one in the room was suprised about the out come. Once it was
explained that this was a temperament that may have been used by
Beethoven. Certainly in use from about 1799 to say 1810.
The contrast from C major to minor was the eye opener. Then some one
played a short snippet of some thing in F#, Ha,Ha, and Yuck!
Many teachers stayed late just to play for them selves. They will be
organising a HT concert later in the season.
What started out as a spoof kind of joke, got a lot of people intrigued.
This was my first public attempt at HT, so i was more than a little on
edge. But pleasantly suprised at the outcome.
Now you know.
Roger
Avery Todd wrote:
> Tell us more. Temperamental minds want to know!
>
> Avery
This PTG archive page provided courtesy of Moy Piano Service, LLC