Recently, Richard Brekne asked about where he could get Prof. Owen Jorgensen's book, "Tuning". I had heard that it was out of print but when placing an order with Schaff Piano Supply Co. today, I saw that it was listed and asked if it was still available. I was told that it is still available and that it is back in print. Orders may be placed on the Internet by contacting their website at: www.schaffpiano.com Jorgensen wrote two other very important publications which are out of print: Tuning the Historical Temperaments by Ear and a Handbook for Tuning the Equal Beating Temperaments. Both of these have some very valuable temperaments which are not found in the big red book, Tuning. One of my Chapter Members, Tim Farley RPT got permission to photocopy the HT by Ear book and made dozens of copies which were sold at cost. Jorgensen will grant permission to anyone who wishes to photocopy his out of print publications. I also have a photocopy of the Handbook. One temperament which has become popular and been the subject of discussion and controversy, the 1/7 Comma Meantone Temperament can only be found in the HT by Ear book and does not have electronic tuning "correction figures". Since this particular temperament has been found to be so useful however, several years ago I made a single sheet print out of the material in the book *plus* the electronic tuning data (as was calculated by Paul Bailey RPT) not only for the 1/7 Comma Meantone (7MT) itself but for 2 variations of it, the 1/7 Comma Modified Meantone Temperament and the 1/7 Comma Victorianized Modified Meantone Temperament. I can scan that sheet and send it as a TIFF file to anyone interested. For that matter, I could scan any temperament from the Handbook too. I should also mention that Tim Farley invented a variation of the 1/7 Comma Meantone where he tunes the B3-E4 4th pure. This leaves the top of the Cycle of 5ths the same but takes the edge off of the harshness at the bottom and makes the "Wolf" less wide (and less dissonant) by 2 cents. Theoretically, the same modification could be made to the two variations mentioned above. Making that modification to the Victorianized version would render another Equal Beating Victorian Temperament (EBVT) although it would not be the same as the one I designed. It would, however, be an excellent choice of temperament design to use on the modern piano as a universal substitute for Equal Temperament (ET) as would the 7MT or any of its variations. If you have been looking for something in the way of a Historical Temperament for the modern piano but have not found anything that you really like yet, I would highly recommend trying one of the above. While I don't have the "numbers" for the 1/7 EBVT, they could easily be calculated. Bill Bremmer RPT Madison, Wisconsin
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