Richard, with all due respect, I think you're wrong on this one. Fifth's are normally narrow, and fourths are expanded; therefore, if your fourths are beating too much, your fifths are too wide. Also, the fourths are supposed to beat, if they don't, then your fifths will, (in ET, at least.) I think what Jim meant to say was that your fifths might be a little on the wide side if your fourths are beating too rapidly. The test for a pure fifth would be a major tenth compared to a major sixth, both having an equal beat. Hope to meet you someday soon, sorry I didn't when you were here in AZ. Kevin E. Ramsey ramsey@extremezone.com ----- Original Message ----- From: "Richard Moody" <remoody@midstatesd.net> To: <pianotech@ptg.org> Sent: Monday, April 09, 2001 9:55 PM Subject: Towards Pure(er) 5ths in ET > > > ----- Original Message ----- > From: Jim Coleman, Sr. <pianotoo@imap2.asu.edu> > To: pianolover 88 <pianolover88@hotmail.com> > Cc: <pianotech@ptg.org> > Sent: Monday, April 09, 2001 3:45 PM > Subject: measuring FAC on SAT > > > | For example, I measured the A4 stretch number of an Acrosonic spinet > to be > | 8.2. Then I tuned the note 1/2 step flat, reset the A4 to that pitch > for > | its A5 reading, then measured the stretch number at A6. It became > 9.1. > | That is quite a difference and will give a different tuning. As a > matter > | of fact it will be very close to a pure 5ths Equal Temperament. > | > | Jim Coleman, Sr. > | > > Jim, List > I have been intrigued with the "pure 5ths ET" ever since Jim > proposed it back in 96 (on this list at least), experimenting with it > both in spread sheet calculations and actual tuning. Then three years > ago I got to spend a couple of afternoons with Jim in Phoenix and on > one of those I was chigrinned to have my temperament evalulated as > having 4ths too wide. > This was pointed out as in the old days of learning..."these beats are > a little fast.....". and all of a sudden I heard them. > However the 5ths to me sounded within the parameters I had always > been trained, I realized if Jim said my 4ths were too wide, that meant > my 5ths were too narrow. > I had never been trained to use fourths during the tuning > procedure but after visiting Jim, I thought if they are used for > checks perhaps I might try using them to actually tune. I tried few > pitch raises tuning by 4ths and found it faster and more accurate than > using 5ths. If they (4ths) beat they ain't right. The trick is to > get them on the sharp side without beats. At any time during this > "4ths tuning" is is permissible to do a quick check of the 3rds. > The other aspect of making 4ths less wide means the 5ths will be > closer to pure. To make a long story short, I seem to get purer 5ths > (by paying extra attention to getting pure 4ths then nudging slightly > sharp) with no noticible change in the variation of 3rds and 10ths. > And I do like this sound. I don't know if this is due to the > realities of inharmonicity or higher tension scales of modern > os. ---ric >
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