----- Original Message -----
From: John Delacour <JD@Pianomaker.co.uk>
To: <pianotech@ptg.org>
Sent: Thursday, November 29, 2001 12:58 PM
Subject: Re: sanderson Bass strings/scale
|
| To change the wire gauges on a Steinway is deliberately to change the
| character of the tone -- and inevitably for the worse. |
| JD
I have wondered since hearing some of the practices of the bass string
makers, don't they "change the scale" by the methods they use? What is
the "scale stick" I have heard that is used by M and others? You send a
paper impression and the first and last string of each division. Do you
still get the same "scale" back?
I have heard that makers in the end cut and try bass strings. What ever
sounds the best they use. (And then apply it to the rest of the models I
presume) Does this account for reported "gross" jumps in tension
throughout the bass scale. So if the string maker uses a "scale stick" do
these "gross" differences come back the same or altered?
Then what about the way a bass string is made. Some mention was made
about how the copper is held when winding. A good example in the Journal.
I would think bass strings would have a diff characteristic when wound
"loose" than wound "tight". Is this true and does such a practice exist?
(tight vs "loose" windings) Or is there a "universal" tightness that
everybody seeks when winding bass strings.? ---ric
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