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> Phil Ford writes
> >
> > If what you want is the entire soundboard moving up
> > and down as a diaphragm it seems to me that having
> > this hinged edge attachment might come closer to
> > giving that than a clamped edge arrangement.
> > Actually building something workable might be
> > difficult.
>
> And we must avoid difficulties at all cost!
>
> As time goes on I find myself coming closer and closer to the notion of a
> hinged-edge diaphragm configuration. Our soundboards are functionally very
> near that now. And my new 200 cm grand design is even closer.
>
> Del
>
Del, Phil and all
This may not be completely irrelevant but since we are taliking
hinged sdboard systems. I recently saw a Charles Fredrick Stein built in
Chicago in the golden years. This piano was 6ft. 3 ish and beautifully
rebuilt and refinished by Bob And Marcia Davis of Stockton Ca.
The Original belly system was a clamped edge system only on the belly
rail and near the first highest rib on the curve as I recall. The rest of the
system consisted of the ribs glued on top of the inner rim ( not morticed in
as usual) with the board glued to n the ribs as usual but not to the rim.
Basically a free edge more or less. Dumfounded was I at the rich sining tone
and broad dynamics. It made me think of your (Dels) description of tonal
range/dynamics in the pp area and the power generated by a strong fundamental
in the forte ranges. No clang and bang just wonderful musical power and
sustain.
(Bob/Marcia jump in here and add or correct anything I'm forgetting.)
Happy Old/New year to all
Dale Erwin
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