If you play what your address says then you have not had to listen to beats so much. When you listen to music, or play with a group, listen to major thirds, major tenths and sixths. These produce beats that are fast enough to hear and discern more easily in the mid range of a piano. Use this to practice listening. When you can actually hear them you are well along to controlling them. The tones of a piano have a slightly different harmonic structure than open pipe instruments in that pianos have a harmonic an octave lower than open pipes (trumpet, tuba and such) so the structure is C1 note C2 octave higher G2 a fifth above that C3 Second octave E3 A third above G3 A second above Bb3 A second above C4 Third octave When you play two notes together somewhere there will be two harmonics that coincide with the same pitch (almost) that produce the beat. Example: F3 played with C4 produce a beat at C5 _and_ C6. The beat at C6 is easier to hear because it is faster but you need to learn to ignore that and listen only to the ones at C4. A beat at about 1/2 beat per second or slower but not perfectly pure. Another example is F3 with A3 produces a beat at A5 in the neighborhood of 7 beat per second. Knowing where the beats are produced can help you listen at that pitch. ALso if you old the lower two notes down with no sound and strike the coincidental harmonic you will be able to hear the beat a little clearer. Now, harmonics are not harmonic in a piano, they are inharmonic (not enharmonic) so we don't usually call them harmonics but partials, each a part of the whole. There are other reasons you will learn as time goes along having to do with names. Learn to listen the rest is easier. Newton
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