Hi Paul I like your perspective. Its only because I've used many types of these hammers that newton listed that I know whay he's trying to say as a generality but I'm not sure all would and as you say results can be made to fit a wide need level of sound and music. Thanks for the epoxied bridge pins dittos. I pulled an average set out of split caps today in 20 minutes! Dale Erwin ----- Original Message ----- From: <Yardarm103669107@AOL.COM> To: <pianotech@ptg.org> Sent: Thursday, March 15, 2001 3:29 PM Subject: Re: Improving Projection.. > Newton: > I don't want to start a brawl, but I read your post with some misgivings, > particularly since you've been elected one of the "resident sages", or > rosemary's or oregano's or whatever. > > First, all of the language of voicing is subjective within narrower and > broader ranges depending on the words used. For instance, we all recognize > "tinny". But do we all recognize "warm" or "powerful"? Are we mixing dynamic > ranges with color as well? > > Second, large-scale (no pun intended) generalizations about the > characteristics of brands of hammers make me nervous. Maybe I'm just a > nervous type, but I've used all of the above hammers at one time or another > (with the exception of Isaac), and have been able to achieve a range of > results encompassing all of the above characteristics in one way or another > depending on the type of piano, type of player, and type of music played in > general. > > Your other comments are well-spoken, however. > PR-J
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