----- Original Message ----- From: Don <drose@dlcwest.com> To: <pianotech@ptg.org> Sent: Monday, March 19, 2001 9:13 AM Subject: Re: Accu-Tune/aural > Hi Richard > > Nice post about the why. I believe you missed a point or two. If you are > trying to tune a unison with an etd I believe most persons would mute all > but one string to do so. This prevents the strings from "coupling". When > the two or three strings are unmuted the pitch of the first tuned string > will be slightly different. > > This effect can be duplicated aurally. Tune a middle string (or accept it > as a given). Next tune the bass side wire to the middle with the treble > string muted. Now move the mute to the bass side and tune the treble > string. Finally pull out the mute and listen to the (shabby) result. Often, > even with a "performance" level piano the result will be a poor unison. Hmmm I don't have this experience, rather the opposite. For performance tunings I tune the outside string to the middle string, then the other outside string to the middle string, then listen to the three strings. I find I get better unisons doing this than tuning the outside string to the middle string and then the other outside string to the two strings tuned. If I don't like the unison I repeat tuning each outside string to the middle string. Sometimes the problem is one string slipped. So I check the middle string to the temperament. If I still don't like, I find two strings that are the best unison and tune the third to those. ---ric
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