Michael, Roger:
At the University of Redlands, if the pianos are at A-440 in May, they could
be at A443 or A444 in late August. If I tune them at A440 in
August/September, they will drop to A437/8 when we have our first dry weather
system, and keep dropping over the winter. Since the contract severely
limits the frequency of tuning rounds, I target a two cycle range, A440-442,
and except for the performing instruments I only drop the pianos to A442. I
never know when the first dry weather system is going to strike - it could
happen anytime between September and January. Several times I have
completed the tuning rounds and immediately the humidity dropped 40% or more,
destroying my work. If I only drop pitch to A442, the pianos will only drop
to A439/440 after the weather shift - they might be ugly, but not too flat.
In a contract tech situation where there are strong weather influences on
pitch, I think a two cycle range gives the most pitch control. I would
rather be able to tune more often and keep the pitch within Roger's one cycle
range of A440/1.
Bill Shull, RPT
University of Redlands, La Sierra University
In a message dated 3/28/01 9:13:46 AM Pacific Standard Time,
Michael.Jorgensen@cmich.edu writes:
<< Roger,
I'm Amazed!, Any advocacy or discussion of non 440 always opened a
massive can of worms on this list. I can't believe that nobody chewed on
it to death before it went into digest form. I guess your point makes too
much sense to be debatable.
-Mike
jolly roger wrote:
> > After I wrote,
> > "always tune to A440".
> >
>
> Hi Mike,
> Above is the only point that I
> disgree on. Sept tuning 441 where possible, time Nov 1st arrives most
> pianos dive 20 cents due to local humidity conditions.
> Steam heated building that goes to 10% in the dead of winter. A little
> less stress chasing the pitch.
> Faculty knows that it is being done. Wind instrument studios a different
> story.
>
> regards roger
>>
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