The other day I was chatting with my customer (big mistake right there), while setting up a SAT pitch raise of about 125 cents on a small console. Now I usually do a two stage PR with more than 100 cents flatness to avoid over-stressing the strings and of course in middle of octave 4, I get that lovely pranging sound! So what do I do now, go on and possibly break more strings or reduce the overset? I chose the latter. With the SAT at A440, I continued (No more strings broke). Another mitigating factor- I normally increase the pitch overset above the treble break by 15% of the measured flatness, in this case 18-1/2 cents to allow for the lower pitches usually found in the upper areas of neglected pianos. Now I have a piano at pitch to D4, -24 cents at A4 and about -15 in the treble. Being an old fighter jock, I attacked the biggest problem first; the -24 cents. Starting at D#4, I overset 6 cents and proceeded to the break. Next I read the flatness in several areas of the treble and averaged to -16cents. I overset 4 cents (I figured I had overset enough on the first time through), and went to 88. What did I have now? A mess! It was on pitch through the wound strings, about G3. All the wire below D#4 was about 3 cents flat. D#4 to the break was 2-3 cents sharp and most of the treble was 5 cents or better flat. Go figure! Obviously, I don't have a real good mental picture of what was going on there. A couple of times in the past, I would put extra overset in somewhere in the pitch raise and for some reason not get back into the page I was using and would tune a bunch of notes with a zero in the right window. When I went back over them with correct settings the notes were always over-sharp on the next time through. You have to reduce the overset through the section in error about 10% and then go back up to the original overset. Does anybody have ideas on this? Warren -- Warren Fisher RPT fish@Communique.net 1422 Briarwood Dr. Slidell, LA 70458-3102
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