> >> Yowee zowee, Ric.......that is SO cool: we're both right. >> I appreciate your effort on this, and your passion about tuning...... >> David A > >Thanks in return Dave... you through me a loop with that steady 4ths >thing... just never thought about it and took it for granted that of >course they should get progressively faster. And maybe they do to some >small degree on some pianos. I suppose I shoulda thought about this given >that I already have run into that 5ths can go from narrow to wide as you >get up there in the treble. > >Rick Baldersins book "On Pitch!" has this neat explanation of what >happens to differing octave types if you decide to hold one type at a >constant beat rate. I want to also find out what happens to differing >intervals and their types when any particular interval type is held >constant. I suppose we really should know all this stuff in and out when >it comes down to it. Like this 12ths tuning,,,,, I should already know >exactly how the beat rates of all the basic intervals and their types >develope up and down the scale.... but noooooo...grin.. I gotta scratch >my head and get headaches and sit and try and get Excel to cooperate and >the like. > >Ah well... a little bit more every day. Thanks again for jarring me >around Dave. Hey: it's no problem, Ric; Danes can jar Norwegians at a moment's notice. This is a great, great list; such a spirit of intelligent giving; of people really taking a shot at doing their best; of respectful back and forth. Our current discussion and its mutant branches have spurred me to work to rationally observe and document what I do when I tune a piano....how to communicate the incredible tools I've stumbled onto in my craftsman's journey into the sonic bubble of a good piano. Getting feedback from you, Servinsky, Bremmer, Kline, Nossaman and others has inspired me to try new things (single mute tuning), really think in a different way about how I naturally, by ear, tune a piano. I'd love to have an into-it ETD guy who's also a passionate aural tuner take readings on my tuning; I was resistant to that before this moment (due to fear, probably, and my neo-Luddite tendencies in certain areas) but now it seems like a fascinating idea. Thank you all for being my teachers. Best to all.......David Andersen > > >
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