The offsets are in the chart I sent you, Bill. Here they are:
EB 18thc WT
C
7.76
C#
-2.02
D
1.56
D#
1.89
E
-0.67
F
5.80
F#
-3.97
G
4.85
G#
-0.07
A
0.00
A#
3.84
B
-1.80
You'd need to subtract 1.43 from each offset in order to equalize the total tension change on a given piano.
..........
. jason kanter . jason.kanter@wamu.net . jkanter@rollingball.com
. vp/manager . learning & performance development
. consumer loan servicing . washington mutual bank
. office 206 490 6708 . cell 425 830 1561
...............................
----- Original Message -----
From: <SidewaysWell1713@aol.com>
To: <pianotech@ptg.org>
Sent: Sunday, December 29, 2002 8:27 PM
Subject: Thanks to Jason Kanter
| Thanks to Jason Kanter...
|
| ...for his gracious and gratuitous work with my most recent temperament idea.
| Now, since the results find themselves right in between the Young and the
| Vallotti-Young (perhaps a little closer to the latter), how about someone
| coming up with the all powerful *Correction Figures* which everyone always
| wants to know. This time however, not so that anyone might use them, (why
| not just do one of the ones out of the book?) but to compare all three
| numerically and perhaps graphically.
|
| The whole idea is to have a *practical* way to tune this kind of temperament
| which anyone can learn to do with as much accuracy and consistency as
| electronic tuning provides. Let's prove it works in more ways than one.
|
| Happy New Year!
|
| Bill Bremmer RPT
| Madison, Wisconsin
| <A HREF="http://www.billbremmer.com/">Click here: -=w w w . b i l l b r e m m e r . c o m =-</A>
|
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