>On Fri, 11 Jan 2002 00:20:30
> Robin Hufford wrote:
>. . . For example, athough I think it likely the bridge motion proponents will
> >contest this, and I await the next ingenious denial, their ideas
>would suggest that
> >the agraffe itself must be moving similarly to the bridge,
>although on an obviously
> >reduced scale- that is rocking fore and aft, flexing side to side
>and moving the
>>plate underneath it. I rather doubt it.
Phil Ford wrote:
>. . . No I don't contest or deny it. This is consistent with the
>idea of force being applied by
>the string to its supports as it vibrates. If a force is applied,
>unless the agraffe
>and plate are infinitely stiff then they must move.
Exactly Phil!
>This seems consistent with
>what the designers try to do - make the agraffe and plate system
>very stiff here
>so that they move as little as possible so that string energy is
>dissipated as little
>as possible at this point.
Agreed - plates and agraffes don't make particularly good sound boards.
Ron O.
--
OVERS PIANOS
Grand Piano Manufacturers
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