Stephane writes:
>On cembalums and on pianofortes, as the body of the sound is weaker, the
>knocking of the key against the rail is more obvious, and gets often a
>little ennoying. But on a good piano, I would make this also part of the
>voicing techniques, to control balance between attack and body of the note.
I agree that a harder front punching changes the sound of the piano.
It increases the impact noise, thus making a more distinctive attack(this is
addressed in the "Five Lectures" article as "thump" noise"). What I am
questioning is the linkage between a harder front punching and the "tone" of
the piano, and the idea that one is feeling the hammer impact through the
key. I can feel the string vibrations in the key on a good piano, but that is
not the same as sensing the contact of the hammer with the string, which is
what I am trying to get a fix on.
REgards,
Ed Foote
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