Touchweight Metrology Question

Bill Ballard yardbird@pop.vermontel.net
Fri, 17 May 2002 01:13:02 -0400


Terry,

It's pretty clear what you have. Like RicB says, you've got plenty of 
had room in the FWs to drop the BWs. I've sent plenty of CBS Teflon 
Steinways with this same initial set-up. They left the BWs high in 
order to keep the FWs, although by current standards, they had could 
move the BWs quite a bit before getting into trouble with the FWs. 
Legend has it that their DW measurements were confused by the initial 
stickiness of teflon friction. BTWs still leave a noticeably high BW 
(lo-40s instead of mid-30s).

The SWs are medium in the bottom third, medium heavy in the middle 
third and light in the top third. You say you've got plenty of stock 
for removal, on these OEM hammers. But the problem is not your SWs 
but the 16.5 knuckle mounting distance (KC).

But the current SBWs, although erratic, are still quite reasonable 
even with the 16.5mm shanks. That is thanks to the KR. I'd say (based 
on a sample of 12/88) that the keyboard is well laid out, and at the 
very least a big advantage. (It saves you one whole area of work.) 
Put 18mm shanks on here and you'd be able to  lower the BWs without 
demanding too much weight loss in the hammers, just cleaning them up. 
That is, assuming there is room to get a satisfactory balance of blow 
to dip.

At 8:43 PM -0400 5/16/02, Farrell wrote:
>I think I also need to regulate out a few notes to be sure that the 
>current geometry is not requiring excessive dip.

What I was referring to, except here to confirm a "before".

At 8:43 PM -0400 5/16/02, Farrell wrote:
>I should point out here that this piano is in a small church, and it 
>seems that the piano is not a high priority for spending money - so 
>I'm probably not going to get to do everything I might want.

So what would you like to do on this job, do an SW/FW/Shankchange on 
your nickel, or a good solid friction control (shank repin, keypin 
fit & lube), action regulation and voicing which you've sold to them? 
Tough choice.

I'd say start with the basics, and see how much the piano gains from 
that (and how that improvement fits the needs of the Church). But 
know from the analysis at the outside what the action's basic profile 
is, "how it's hung", and what that area of the action's set-up would 
require.

At 8:43 PM -0400 5/16/02, Farrell wrote:
>Not having seen all this data before, it seems rather erratic to me. 
>How in the world can the BWs range from 49.0 to 60.5? And that is 
>with a very smooth SW. I assume this is mostly erratic leading?

It's an indication of what they were reading, and it does look a 
little funny from this standpoint.

Bill Ballard RPT
NH Chapter, P.T.G.

"Lady, this piano is what it is, I am what I am, and you are what you are"
     ...........From a recurring nightmare.
+++++++++++++++++++++


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