Terry: I think you just have to level with her. You can't LOSE her business, because you already did the tuning and aren't scheduled to do anything more. But she may appreciate your candor and, if you can explain a show her physically on the piano what you're talking about, decide to use you for whatever repairs she decides to do. In most cases this turns out to be a financial decision, and we as techs have to respect that. But it IS our job to explain what the piano 1- NEEDS, 2- COULD USE, and 3- MIGHT BE NICE. Then the owner makes the decisions. I make a point to ALWAYS tell my customers the current condition of their instrument, so that they can plan accordingly. Like a customer I just saw recently for a tuning. I explained to her that her bass notes don't sound as clear and deep as they could because they're old and "gunked up" (another technical term for the lexicon). I gave her an idea of what it might cost to replace them and told her that this is something she can plan for in the next year or two as she does her budgeting. Hope this helps some. Greg Casper San Jose, CA -----Original Message----- From: owner-pianotech@ptg.org [mailto:owner-pianotech@ptg.org]On Behalf Of Farrell Sent: Monday, May 20, 2002 4:59 PM To: pianotech@ptg.org Subject: Marketing Approach I tuned a small Baldwin grand for a lady today. I would guess it is at least 50 years old. It is not one of their top-teir pianos - it is one of the cheaper ones. The thing has realy tubby bass strings and the action is way out of regulation, etc. - your basic worn out older piano. She informed me that she just moved here and wants to start teaching piano again. She also plays violin. So of course, I was thinking that I should mention to her some ways to improve the performance of her piano - if not a total rebuild/replacement at least new bass strings and a serious action refurbish/rebuild. So I asked her how long she has had the piano. She said five years. She bought it because it has just been totally rebuilt: Hammers may have been filed, case was crumily (word?) refinished, and plate and tuning pins and agraffes and strings had been painted gold. I clammed up at that point and left. Is there any constructive way to sell her work in light of the recent "rebuild"? Anyone with a clever sales approach that would cut through the BS that she apparently purchased in the past? I've run into similar situations before and really don't know what to say that might sound constructive and appropriate. Terry Farrell
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