>It's not only difficult to give up these benefits, the bigger question >might be is it really fair to the customer to insist on tuning aurally >when you could deliver just as good (perhaps better) of a tuning and more >in the same amount of time and, presumably then, for the same price? > >For me, the answer seems obvious. > >David Love I guess I'm in an exceptional situation, because I don't have to tune 4 or 5 pianos a day to make what I need to make; I can tune 2 or 3, plus do some voicing or regulation, and be fine. Many of my clients are professionals, or serious amateurs, or venues, and most are long-term clients; they trust me, and they know that when I come it's going to cost them a tuning plus another half-hour to hour of time. Their pianos sound and feel better than they did before they knew me----in some cases, monumentally better---and I treat them with kindness and friendship, so it's no problem. If I was in a situation----basically, living outside of a major urban area---where I had to tune 5 pianos a day, every day, i don't think there's any doubt I would be an ETD user. That said, I tune aurally because I love it; it's one of my real gifts; I have to be relatively happy and content in the work, or else what's the use? Selfish and arrogant or healthy and strong-minded? You make the call...... :-----) David A.
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