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Thanks, all, for responding. But I'm puzzled ... the duplex is there for =
a design reason, after all, which I presume is to create additional =
harmonics and add to the esthetic quality of the tones. Sounds like the =
universal consensus is that the duplex is generally more trouble than =
it's worth. *Not one* of you ever retunes the duplex??? (I say this =
without yet having checked the archives for Ron Overs on "detuning the =
duplex" but the title appears to substantiate my guess here.)
----- Original Message -----=20
From: Baldwin Yamaha Piano Centre=20
To: pianotech@ptg.org=20
Sent: Tuesday, September 03, 2002 4:39 PM
Subject: Re: Tuning the Duplex (was ...Capo)
Hi Alan,
It's not some thing you can generally see, and you are =
not pulling or pushing the string that hard. The massage is done just =
2" in front of the capo, to the capo bar.=20
I also usually give the bridge pins a tap with a set punch, when you =
have a piano as described, this also cleans up a lot of false beats, and =
increases sustain, and cleans up the tone.
I wrote an article, Titled, Prelude to Voicing, last year in the =
Journal. If you apply all those techniques, you will find many tone =
problems disappear, and the piano may need less voicing.
At times, I think we are guilty of going for the needles, when there =
is other solutions.
Needling can at times hide a multitude of sins. The real skill comes =
when you know when to cheat.
Ops! Did I say that. <G>
Roger
At 05:33 PM 9/3/02 -0500, you wrote:
Thank you and I trust and will try what you say, though I wasn't the =
person with the duplex complaint.
=20
I am mystified, a little, though. It seems like the strings, up =
against the capo, are as high as they could get.=20
=20
Would this not also tend to make the string rise off the bridge a =
little?
=20
Alan Barnard
Salem, MO
=20
----- Original Message -----=20
From: Patrick C Poulson=20
To: pianotech@ptg.org=20
Sent: Tuesday, September 03, 2002 1:43 PM=20
Subject: Re: Tuning the Duplex (was ...Capo)
Alan: Roger is referring to the practice of using a string hook to =
lift and level all the strings, so that they make firm contact with the =
capo bar and are level. Using the string hook of your choice, put the =
hook under the string right in front of the damper and pull towards the =
capo bar, lifting slightly as you do so. Do all three strings and check =
that they are level. The strings will typically drop in pitch and =
improve in tone when retuned. It will eliminate some if not all the =
duplex noise.=20
Patrick Poulson, RPT
Roger=20
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