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----- Original Message -----=20
From: Alan Forsyth=20
To: pianotech@ptg.org=20
Sent: Tuesday, April 01, 2003 5:20 PM
Subject: Dithering Hammers
A message I tried to send a few weeks ago!
Hi guys,
I am Alan and have been servicing pianos in Edinburgh for the last 10 =
years
with also a previous short stint in Southern Africa.
I too have been baffled by the problem of dithering hammers in Yamaha
uprights (brand new) after re-regulating the set-off to 1/8". It seems =
to me
that the factory set the set off wider than usual to accommodate the =
muffler
rail so that the hammers would not block when the muffler rail was in =
the
down position. However, with the set-off being 1/4", without the =
muffler
rail (practise pedal) in use, does not give the piano a very dynamic =
touch
i.e. you cannot play very loud, and above all you cannot play very =
soft!
which is what "piano" is. The closer the set-off to the string the =
more
dynamic control the player has . Set- off is the point at which the =
jack
disengages from the butt and from then on the player has no control =
over the
hammer.
If the set-off is too far away you have less control from the moment =
of
escapement. Now in most actions if you regulate to 1/8" set-off and =
even
less in the treble, (I'm talking upright actions here) and all the =
other
measurements are left standard, the action works fine. But on some =
actions
this just does not happen as with Yamaha. Playing loud is fine, but as =
soon
as you play very softly, the hammer dithers.
Now this hammer dither is caused by the butt bouncing off the jack =
before
the hammer has had a chance to go in to check, and not by the balance =
hammer
bouncing off the check
You mentioned a design problem, but just exactly where is the design
different from other actions? The only design feature I can think of =
is that
the length of the jack is too short. In other words there is not =
enough
leverage on the jack by the set-off button. If the jack were longer, =
the tip
of the jack would move much faster away from the butt during the =
aftertouch
motion. The jack must get out of the way faster than the hammer =
bounces off
the string! So to cure the problem is problematic; one can't obviously
lengthen the jack, but you might be able to increase the leverage on =
the
jack. I have tried moving the set-off rail closer to the jacks =
themselves
but this only seems to make a very slight difference. Changing the =
tension
of the butt springs does not solve the problem either. The only =
reasonable
solution I have found is to adjust the check distance much closer to =
the
strings. But then this becomes a non standard measurement, 1/4" =
instead of
1/2".
Of course all this begs the question; How softly is a piano supposed =
to
play? I have had many years experience playing piano in restaurants =
and
believe me, if there is a table right next to the piano, you have to =
play
VERY SOFTLY.
I sure hope one of you out there has not just a solution, but the =
correct
solution. This has been bugging me for years.
Best regards
Alan Forsyth
_______________________________________________
pianotech list info: https://www.moypiano.com/resources/#archives
I don't think you can expect to play quite as softly as a =
well-regulated grand, but almost. When I used to complain about this to =
the tech. folks at Yamaha in Buena Park, they would say to check the =
same things listed in Carman Gentile's reply, including the pinning, the =
latter being an item you might not expect to be a contributor to the =
problem. Any hesitation in the key stroke, which might be partly caused =
by a tight key bushing, could contribute to the tendency to dither, or =
"bobble". So you might take the action out, and tap with quick =
repetition on the rear end of the keys and see that they all return with =
no sluggishness. Maybe allow the key dip to be slightly larger than =
normal.
Regarding let-off, if I'm not mistaken, the Yamaha uprights that =
have a Disklavier with the "Silent Piano" feature have let-off at almost =
1/2" ! Maybe it's only 1/4". I first heard of this at a Disklavier =
servicing seminar given by LaRoy Edwards at a Yamaha dealer's store. I =
believe he was claiming that it didn't affect the playablility of the =
piano all that much, which seems doubtful. I didn't play the piano, but =
the Disklavier mechanism played it at what I would call a pp level, =
maybe even ppp. So maybe let-off can be a bit wide. Don't know what =
else to suggest, except call Yamaha and see if they have anything new on =
the subject. --David Nereson, RPT, Denver
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