At 9:51 AM -0700 8/29/03, Delwin D Fandrich wrote: >I would assume that only if I knew the manufacturer in question was >primarily compression-crowning their soundboards. I should know better by now than to assume what you would assume...... Stop me if you've heard this one before, but... is there any reason why low EMC board ribbing and compression crowning necessarily go together, or is it an accident of history? I also gather that it's the low EMC panel assembly which causes most of the damage. For each assembly EMC, the ceiling EMC (and by correlation ceiling ambient RH) beyond which compression damage occurs, is set. The lower the assembly EMC, the lower the maximum ambient RH it can withstand before damage occurs. The lower the maximum ambient RH, the less headroom the owner has in controlling the piano's environment Again, stop me if you've heard this one before (or send me to the archives), but in a panel with significant compression ridging but thus far without the consequent cracking or break-down of rib-board glue joints, what is the effect on board resonance, you know, the magic tone disks? Or will the damage to resonance only show up as a result of board-rib separation, prematurely brought on by the compression damage? TIA, Bill Ballard RPT NH Chapter, P.T.G. "What's this kid good at? "Oh, lying. Great, we'll send her into public relations" ...........AM radio psychologist Dr. Joy Browne and the exasperated mother of a teenager. +++++++++++++++++++++
This PTG archive page provided courtesy of Moy Piano Service, LLC