Dear List Last night I attended the launch of a Stuart & Sons 8 octave 2.2m grand, newly acquired by the Australian Elizabethan Theatre Trust which commissioned the manufacture of three of these instruments. A recital of two hours took place at the Sydney Conservatorium of Music. There were three of the instruments on the stage throughout the evening. From the program, the highlight for me was a premiere performance of Chu Wang Hua's "Three Fantasies on Chinese Folk Melodies" which, unlike other offerings, didn't attempt to play arrangements for all of the three new pianos at once, nor ride the sustain pedal hard into creating mashes of sound. Regrettably, it seemed to me any chance of hearing what subtleties a single Stuart & Sons was like (which I believed to be the reason for the concert taking place) seemed somehow lost to the excitement of having the launch. Not a single work on the program contained the stillness an intent ear might eagerly learn from. That said, I really do look forward to hearing the machine tackle different arrangements in the future. The most memorable and wonderful moment of the night came at the end when one of the pianists silenced the applause and invited Mr Wayne Stuart onto the stage. http://www.stuartandsons.com/ Simultaneously, Mr Stuart brought his piano factory workers along with him and about a dozen young men took their place under the burning lights to receiving genuine and warm applause. In turn, they grinned, laughed and marvelled at the fuss without being embarrassed about the hoopla. It was a remarkable moment. I had the thought that in this country, in any other age it's a fair bet that each of them would've been shaping surfboards rather being manufacturers of full 8 octave 2.2m grands. Cheers Simon Bedak Sydney, Australia
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