What's the Story & Clark? AND ...

[John Ross]

Hi Terry,
How about the pins are too loose?
Regards,
John M. Ross
Windsor, Nova Scotia, Canada
jrpiano@win.eastlink.ca
----- Original Message ----- 
From: "Farrell" <mfarrel2@tampabay.rr.com>
To: "Pianotech" <pianotech@ptg.org>
Sent: Saturday, June 21, 2003 10:20 AM
Subject: Re: What's the Story & Clark? AND ...


> "had "Lautrec" pins throughout the entire bass section. (You know -
Toulouse:)."
>
> What is all that?
>
> Terry Farrell
>
> ----- Original Message ----- 
> From: "Conrad Hoffsommer" <hoffsoco@martin.luther.edu>
> To: "Pianotech" <pianotech@ptg.org>
> Sent: Saturday, June 21, 2003 3:22 AM
> Subject: Re: What's the Story & Clark? AND ...
>
>
> > At 01:24 06/21/2003 -0400, you wrote:
> > >In a message dated 6/20/2003 9:41:59 PM Pacific Standard Time,
> > >tune4u@earthlink.net writes:
> > >
> > >>Anybody got any generic thoughts on early 60â?Ts Story &Clark
consoles.
> > >
> > >
> > >I have seen two with separated pinblocks, which I think were from this
> > >period. If it seems to need a pitch raise....
> > >Bob Davis
> >
> >
> > My copy of Fine's book is at work, so I can't check what exactly he
said,
> > but I have mixed impressions of S&C consoles.  Might be as much the
result
> > of environment as design and construction.  All the S&Cs in a local
school
> > district and a church had "Lautrec" pins throughout the entire bass
> > section. (You know - Toulouse:).   Obvious splits and marshmallow
feeling...
> >
> > The two I did in homes felt like new Baldwins.
> >
> >
> >
> > Conrad Hoffsommer
> >
> > Early to rise: early to bed;
> > Makes a man healthy, and socially dead.
> >
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