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Re: Unusual rib structure?Hi Ron,
Thanks for the feedback. Rib crowned? Interesting. What =
characteristics suggest that? (I know very little about soundboard/rib =
structure.) I gather that rib crowning is a more recent development in =
piano technology? Is there some place I could read a brief history?
I measured the ribs for you. I wasn't perfectly exact in my =
measurements (didn't have the time), but if you want more exact =
measurements, I'll get them for you later. Aside from the tapered ends, =
the dimensions are constant throughout the length of each rib. The =
bottom of each rib is rounded slightly I didn't measure the lengths of =
the tapers. The height and width of the ribs (in mm) are as follows (in =
order from treble to bass):
rib h w
1 difficult access
2 19 19
3 21 21
4 21 23
5 25 24
6 25 25
7 26 26
8 ? 26 (difficult access)
9 28 26
10 28 26
11 28 26
12 27 26
13 27 26
14 26 26
15 26 26
16 26 26
17 difficult access
18 difficult access
You are correct that the bass is rather dark. Of course I like it that =
way.
Peace,
Sarah
----- Original Message -----=20
From: Ron Overs=20
To: Pianotech=20
Sent: Tuesday, May 06, 2003 6:43 PM
Subject: Re: Unusual rib structure?
Hi Sarah,
Its an interesting piano you have.
OK, there's something about my piano (1933 Wissner 9') that seems =
odd (in my limited experience), and I've just got to ask. My soundboard =
ribs have an unusual structure (I think), and I'm uncertain as to the =
purpose. Most of the ribs are "tied" together with one of two small =
cross-braces.
I can't see how the ties can do anything to either enhance the =
structure of the board or its function tonally. They remind me of the =
tie strap across the bass corner ribs of a model B Steinway, which also =
are of doubtful benefit.
Counting from the keyboard, high treble end of the soundboard, the =
first brace starts around the center, keyboard-end of the soundboard at =
rib 8 and continues leftward and towards the tail through rib 13. Then =
from the other end of rib 13 (right side of the piano), another brace =
starts and extends towards rib 17 in the tail. Ribs 1-7 and rib 18 have =
no cross-braces.
An 18 rib design, while the D has 17 in the latest offerings at least.
Here are some photos:
www.wonderfulhome.info/soundboard1.jpg
www.wonderfulhome.info/soundboard2.jpg
www.wonderfulhome.info/soundboard3.jpg
Looking at what appears to be the fifth rib from the bass Sarah (the =
rib which in jpg 3 runs to the top LH corner of the image), the rib =
appears to be quite deep in the centre. They look suspiciously like they =
are rib crowned. Would you mind measuring the overall rib depths at =
their centres? I'd be interested to know what they are.
The ribs on the cross-brace end are not smoothly tapered the way I =
think of most ribs being. Rather, they are reduced in tiers, and the =
cross-braces run across the tiers. The rib ends without cross-bracing =
are tapered in the conventional manner.
So... Why was this done? Was it a way of stiffening the =
soundboard?
I would speculate that the designer was interested in achieving a =
graduation in the sudden reduction of the rib section modulus of a =
conventionally feathered rib. The stepped feathering would probably =
cause the panel deflection to be somewhat more progressive. Mind you, =
this may not necessarily be desirable. For me at least, the 'jury is =
still out' on this matter.
. The bass on this piano is incredibly rich, powerful, and mellow, =
and the sustain is unbelievable.
The tiered feathering should allow quite a substantial impedance =
reduction in the panel behind the bass bridge. I would expect this piano =
to have quite a dark tone in the bass.
I'll be interested to hear other observations of others re the =
feathering.
Ron O.
--=20
_______________________
OVERS PIANOS - SYDNEY
Grand Piano Manufacturers
Web: http://overspianos.com.au
mailto:info@overspianos.com.au
_______________________
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