Bradley writes: >I try and get key dip, aftertouch, letoff, and blow distance as even as >possible (in that order). As a general rule, I try to maintain evenness >in aftertouch and key dip, which forces me to distribute the majority of >the inaccuracies between the blow distance and the letoff. Greetings, My order would be let-off, aftertouch, keydip, blow distance. >>Every once in >a while I come across a note where something in the action geometry is >obviously wrong (e.g. to get everything else correct, the blow distance >would need to be in excess of 1/8" higher/lower than the rest of the hammer >line) >What do I do to fix this problem? I split the difference between blow and keydip. Regards, Ed Foote RPT www.uk-piano.org/edfoote/ www.uk-piano.org/edfoote/well_tempered_piano.html <A HREF="http://artists.mp3s.com/artists/399/six_degrees_of_tonality.html"> MP3.com: Six Degrees of Tonality</A>
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