<< I have my wife's piano tuned to Young's temperament. Would this be pesky
in a ET aural tuning situation? >>
Greetings,
This may be a common question, but requires a qualified answer. Above all
else, the expectation of the listener can have a lot to do with the
acceptance.
True, the Young has a 21 cent third lurking at F#, and B and E major are
certainly more agressive in their harmonic presentation, but whether that bears
on the "pesky" nature of the sound also depends on the material and/or the
way the pianist plays. Highly tempered triads can be played harshly or
expressively. Increased familiarity with the well temperaments facilitates the
latter.
If what you are asking is the degree of difficulty in tuning a Young
aurally, it is rather simple to tune six pure fifths from C in one direction, and
then six tempered fifths in the other. Make the tempering even among them and
you will be very close to Young's description.
Young's tuning works for a lot of music. Some later pieces, I think,
become unsettled due to the increased tempering in unfortuate places, (like where
the composer wasn't thinking of "expression"), but all in all, it is a very
clean sounding tuning. I think it really is beneficial for most music composed
after Bach and before Chopin. When you get on the era's boundaries, I think it
pays to listen to other plausible alternatives, such as the meantones,
WErckmiester, or Kirnberger, or Kellner for Bach and the "Victorian" level of
inequality or even ET for Chopin, Ravel, Debussy, etc.
Somewhere in the comparisons, each of us arrives at optimum amouts of
harmonic contrast to suit our tastes. And then, tastes change.....etc.
I guess the real answer to whether it would sound pesky or not can only
come from ourselves as we listen to the musical results and draw our own value
judements.
Regards,
Ed Foote RPT
http://www.uk-piano.org/edfoote/index.html
www.uk-piano.org/edfoote/well_tempered_piano.html
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