Alternate temperaments

Andrew & Rebeca Anderson anrebe@zianet.com
Mon, 03 Nov 2003 16:24:33 -0700


Ed,
Was that increase or decrease?
Andrew :-)
At 05:58 PM 11/3/2003 -0500, you wrote:

><< I need to shoehorn another piano in here to try all
>these different ones out on. >>
>
>I know the feeling.  What you can do is use the Young on customer's spinets
>and consoles that are used for music in the home.   Rarely do they use more
>than three or four sharps or flats.  It increases the sum total amount of
>dissonance coming out of the piano and the vast majority of basic or 
>intermediate
>players really like it.  Or, do some experimenting for free where possibly a
>faculty member or two can hear it.  Low key exposure is the surest way to 
>effect a
>groundswell effect.
>   It is worth the risk of the rare free retune to get a familiarity with the
>tunings.  If you have someone that is really a Bach specialist, introduce 
>them
>on the Young as a starting point, and then maybe suggest a really more
>authentic set of colors might be worth considering.
>Good luck,
>
>
>
>Ed Foote RPT
>http://www.uk-piano.org/edfoote/index.html
>www.uk-piano.org/edfoote/well_tempered_piano.html
>  <A HREF="http://artists.mp3s.com/artists/399/six_degrees_of_tonality.html">
>MP3.com: Six Degrees of Tonality</A>
>_______________________________________________
>pianotech list info: https://www.moypiano.com/resources/#archives


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