Hi Kevin,
The only problems I sometimes have after my initial pitch raise is that,
during the fine tuning, the extreme treble (depending on the piano) can be
knocked down 5-6 cents with hard blows. To keep this from being a problem,
I simply bring the pitch back up while repeatedly hitting the key to
stabilize the note. This seems to work quite well for me. Maybe I should
also note that I use an impact hammer for both pitch raising and fine
tuning.
Corte Swearingen
Chicago
"Kevin E. Ramsey"
<kevin.e.ramsey@c To: "Pianotech" <pianotech@ptg.org>
ox.net> cc:
Sent by: Subject: Re: Pitch Raise, was: Standard Pitch
pianotech-bounces
@ptg.org
10/10/2003 09:13
PM
Please respond to
"Kevin E.
Ramsey"; Please
respond to
Pianotech
Corte, let me ask you this; do you ever find yourself doing the second
pass, and you do a test blow that ends up being five or six cents flat?
The time for test blows is indeed after the pitch raise (and during it, but
definately after it also) . The speaking length may indeed be at pitch, but
if you don't have all segments of the string up to tension, it's going to
go south.
After doing a pitch raise, I don't really feel like yanking the strings up
all over again.
Just something for you to think about while you're out there tuning, that's
all.
Kevin.
----- Original Message -----
From: cswearingen@daigger.com
To: Pianotech
Sent: Friday, October 10, 2003 12:47 PM
Subject: Re: Pitch Raise, was: Standard Pitch
Like Terry, I'm a bit confused on this as well. To me, the purpose of a
pitch raise is not to necessarily leave a note sharp, it's to leave a note
a close to the target pitch as you can. Some notes will be slightly sharp
of target and some will be slightly flat of target. If I do a pitch
raise,
there is no need to do a subsequent rough tuning - just a fine tuning.
Corte Swearingen
Chicago
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