Thanks Don,
Another benefit of ET, I suspect, is that it
allows for some wondrous, complex chords such as those
we jazzers ( and Debussiers ) enjoy, which would
probably sound wretched in a "Historical" temperament.
Anyone care to differ ???
Thump
--- "Don A. Gilmore" <eromlignod@kc.rr.com> wrote:
> I may be an engineer, but I'm also an advanced,
> conservatory-trained pianist
> of some 32 years experience (I started at the
> conservatory when I was eight
> in 1972) and I come from a line of five generations
> of professional
> musicians (my grandfather was a famous jazz
> bandleader, singer and
> saxophonist in Kansas City). That's more than can
> be said for most tuners.
>
> What was heard in Mozart's day was inferior, just as
> automobiles of 1915
> were inferior to the ones today. Mozart didn't play
> in a primitive
> temperament because he wanted to; he did because
> there wasn't a better way
> yet. There is a concrete, musical reason why
> virtually all instruments are
> tuned to ET and it has nothing to do with the
> "tidiness" of mathematics (and
> ET isn't constucted with a rational number, by the
> way). ET is the *only*
> temperament where everyone plays the same intervals
> within a key and in all
> the keys all the time. There is no other. In *all*
> other systems *no* two
> keys sound alike. In *all* other systems you cannot
> have equal consonance
> for all intervals, even in the same key. If you
> flatten the E in the major
> third between C and E to be more consonant, the
> resulting third from E to G#
> will not be the same...in fact it will be *worse*
> than ET. And all other
> intervals that include that E will be changed by
> varying degrees. I have
> played in other temperaments and it is a pain in the
> ass, especially when
> accompanying other instruments.
>
> ET wasn't foisted upon the musical community by
> dastardly engineers,
> politicians, or by divine decree; it was invented
> *by* musicians and has
> been universally adopted because WE LIKE IT and
> because it solves the many
> problems and limitations you experience if you don't
> use it. I AM a
> musician. ET vastly simplifies music for us and
> lets us all play and
> modulate with complete freedom. Any other
> temperament is a gimmick, like
> titanium golf clubs or a six-string bass guitar. A
> $500 cue isn't going to
> make you shoot pool any better and a fancy tuning
> isn't going to make you
> sound any better.
>
> Don
>
> ----- Original Message -----
> From: "David M. Porritt" <dm.porritt@verizon.net>
> To: <pianotech@ptg.org>
> Sent: Saturday, April 03, 2004 1:17 PM
> Subject: Re: Non-ETs; more organic than ET?
> > Engineers (who are not always the most artistic
> lot) tend to think that if
> a temperament can be constructed with a rational
> number it must be right.
> However, if one wants to hear what Mozart was
> hearing you can't use ET. Of
> course hearing what Mozart heard might not be
> important to you, but if it
> is................
> >
> > dave
>
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