Ryan writes: << If Roger Jolly evens out his voicing by evening out hammer pinning doesn't this prove that the tightess of the bushing also has an effect on the hammer to string contact time? >> Greetings, Not necessarily. There are other factors that may be in play here. One is that the tighter pinning allows less oscillation of the hammer as it is accelerated towards the string. I don't know how much difference that makes, but I do know of many instances where a hammer that just barely touches an outer string of the tri-chord will miss it completely on a forceful blow, so I know there is lateral inconsistancy in the shank/hammer component. The other consideration is that there is a transient pulse that is reflected back through the action upon contact with the string. A looser pinning may allow the shank to vibrate in a phase relationship that robs power, or otherwise alters the delivery of force to the string, (think about hitting a baseball on the bat far away from the "sweet spot", there is a lot of energy put into your hands instead of the ball). Dwell time may not be the entire reason that changing pinning tension alters the sound. REgards, Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html
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