When I was just a student and had been tuning about 8 years, I got my first Weber Duo Art grand. It had never been used. The hammers had lines and not grooves in them. It sounded like a freshly voiced fine piano. I restrung it and decided that the hammers did not need a thing. I noticed that the new strings made the piano sound less brassy and more mellow, by the way, but that is another discussion. I had my perfect grand piano for practice. I used it an hour or two most days. In six months, the sound had become honky tonk and the hammers had deep grooves. The 1923 felt could not hold up to playing without quickly grooving and going blatty in sound. New hammers solved the problem. I would say you can't depend on great sounding old hammers to stay that way if you intend to play the piano. D.L. Bullock St. Louis www.thepianoworld.com <http://www.thepianoworld.com> ----- Original Message ----- From: "Michael Gamble" <michael@gambles.fsnet.co.uk> To: Sent: Thursday, February 05, 2004 4:17 PM Subject: Re: Rebuilding old uprights > Would anyone on the list like to comment on the effect of ageing on hammer > felt? > Regards from a black Sussex Night. (no stars) > Michael G (UK)
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