get yourself a Cadillac and enjoy the ride

Marcel Carey mcpiano@globetrotter.net
Tue, 10 Feb 2004 22:01:41 -0500


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I second your thoughts 200%.

Marcel Carey, RPT
Sherbrooke QC
  Michael,
  I beg to differ with you on this issue about ETD's.
  I know actually many tuners here in Holland, but also abroad, who a=
re
highly experienced aural tuners and who, nevertheless, now tune with =
an ETD.
  In Holland I was among the first members of the then new Dutch Pian=
o
Technicians Association (the VvPN) and I was also among the small gro=
up of
these new VvPN members who created the very first tuning test in Euro=
pe
where you could test the tuning electronically with the aid of an ETD=
 (at
the time a SAT) and a computer program, just like they have been done=
 (and
do) for a long time in the USA.

  Let me tell you, it was not an easy task to do a tuning test and wa=
lk away
with a high enough score, and I have seen many colleagues who, after =
they
had proved their professional ability, were very proud that they had =
dared
to do this risky test.
  They had shown that they were able to make a very good tuning, and =
we all
know that there are many colleagues out there who are not capable of =
making
a tuning at that same level I just described.

  Many of these 'tested' tuners now use a tuning device, myself inclu=
ded.
  I have tuned too many piano's aurally, and I thank the electronic t=
uning
Deities for my beloved 'box'.
  You know why?
  Because my box creates for me a tuning of such high quality that it=
 will
take me at least a Month's training of steady high-trapeze-tuning to =
reach
the same accuracy.
  But I would never be able to make money with it, because such a fab=
ulous
concert tuning would take me hours, and afterwards I would be exhaust=
ed,
whereas my ETD allows me to do the very same but within one hour, hel=
lo!
  So my customers are happy because they can count on a very high qua=
lity
tuning, and I am very happy because I don't get exhausted, don't have=
 a lot
of tuning stress, and I can, instead, concentrate on making beautiful=
 and
strong unisons.

  Especially somewhat older tuners, who have paid their tuning dues s=
o to
speak, go into their second tuning wind when they discover the ease a=
nd joy
of a good ETD.
  Because they have already tuned piano's aurally for many years, the=
y know
very well how to tune a piano when the battery of their ETD is low.
  Some time ago, I came back from a short trip abroad, and I had forg=
otten
to charge the battery of my box, so the next day I had to tune this v=
ery
difficult Steinway belonging to this very difficult customer.
  To be honest with you, I got chagrined because it was late in the
afternoon and my energy level was down, and I was not looking forward=
 to
having to do it again 'by ear'.
  However, I of course tuned the thing and after only a few uncertain
minutes I was back full swing and was having fun, trying to do the pu=
zzle
again for the zillionth time.

  I can tell you something else :
  Just because my ears have been sharpened by the superior ETD tuning=
, my
musical hearing wants to duplicate the refined regularity that I have=
 been
hearing for years through the use of my sophisticated ETD. So my tuni=
ng
ability has not gone away and has not lessened at all.
  I feel very good that I can make a real good tuning even after havi=
ng used
an ETD for years.

  Again : there are many many excellent aural tuners in the world who=
, at a
certain moment, just like me, have made a switch from aural to electr=
onic.
  I think most of these will testify that they have an easier life no=
w and
that they enjoy making a superb tuning.
  I am all for learning to tune aurally and then tune aurally for yea=
rs,
just to become well trained.

  After that goal has been reached I would say : get yourself a Cadil=
lac,
and enjoy the ride.


  friendly greetings
  from
  Andr=E9 Oorebeek

  Amsterdam -
  The Netherlands

  0031-20-6237357
  0645-492389
  0031-75-6226878
  www.concertpianoservice.nl
  www.grandpiano.nl





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