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I'm a little shocked at the response from my fellow technicians here, =
perhaps they're not familiar with the Shigeru.
First of all, don't even think of changing the hammers on your piano. =
Those hammers are very special, and they are one of the secrets of why =
the Shigeru is what it is. If you had a technician file the hammers, =
his technique may leave a lot to be desired. With Shigeru's I always =
finish off with at least 800 grit, with the hammers set at the strike =
point, so that I'm getting an absolutely level strike surface. If you =
don't get the strike surface level, you lose power. Unless a technician =
who is not familiar with the special techniques used on one of these =
happened to over-needle the hammers, they come from the factory well in =
the range of where they should be in your home. Only you can answer as =
to who may have worked on your piano.
I don't want to offend you, but this question sometimes comes from =
people who are losing a little of their high frequency hearing, which is =
more common today than most people realise. I just mention it so that =
you can consider whether that may indeed be a possibility. If the =
hammers have been over needled in that area of the scale, usually they =
will brighten up when filed properly, and or "reset" with the back end =
of a voicing tool, or a small 2 oz. mallet, in a voicing tray. Do not, =
nor let your technician, treat these hammers with chemicals. These are =
not Steinway hammers, so they don't need the juice, you'll lose your =
dynamic range if you do. Have you had a Japanese technician come out to =
your house, yet? Explain your concerns to him, and I'm sure he can do =
what you want. I read what someone else wrote on the list before I =
hastily jumped in here, about them not coming out to the college.. I'm =
not sure that they do that for institutions, only individuals perhaps. =
I'm sure that Don Mannino is going to jump in here, he's the final =
authority, not me. I only posted this to keep you from doing anything =
too drastic in the meantime.
Kevin E. Ramsey, R.P.T.
----- Original Message -----=20
From: St=E9phane Hanriat=20
To: pianotech@ptg.org=20
Sent: Thursday, February 19, 2004 2:31 PM
Subject: Voicing up Shigeru Kawai SK3
Hello,
I own a brand new Shigeru Kawai SK3 that the Kawai technician in =
France has
made, according to me, too deep voicing on notes in the treeble range =
(octave 5 to 6).
Although he disagrees with that, the tone is slightly too mellow in =
this range,
from pianissimo up to mezzo forte. At pianissimo or piano, the higher =
partials are
reduced compared to neighboring octaves (impacted notes are from 55 to =
69),
and the attack looks a bit dull.
Those higher partials are coming back with more strength on the key. =
However,
these notes always require slightly more strength to produce a =
balanced sound.
From Mezzo forte up to Forte, things are OK (overall loudness and tone =
quality
is well balanced)
The technician made several filing with very limited improvement. I'm =
not a
specialist, just a pianist - but my engineering background and what I =
learned
reading your very interesting posts, tell me that there has been =
likely too much
deep needling in the higher section of the shoulders.
The Shigeru hammers are cold-pressed and are considered as medim/soft =
in
europe. May be they are not very robust to extensive voicing.
I'm wondering what could be the best solution to recover some power to =
these
15 hammers : dry ironing, juicing or changing those 15 hammer heads ?
Kawai says the tone will not be even if I change only a sub set of =
hammers
(they don't want to replace either full set of subset anyway...).
Have you experienced changing subset of hammers in this range ?
Which hammer head brand would you recommend for those Kawai pianos =
(softer
than Yamaha...) ?
Do you think dry ironing would make it ? (actually the recovery level =
I'm expecting
is not that big and the felt thickness is small in this range, so this =
could work).
Many thanks for your feedbacks,
Sincerely yours,
Stephane Hanriat
stephane.hanriat@free.fr
PS : This being said, the SK3 is an outstanding instrument. Action is =
close to
perfection, overall tone is wonderful, rich, not too harsh like Yamaha =
and the
softer hammers give you great control and margin in the way you =
produce louder
sound.
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